Thursday, February 19, 2009

studs terkel's post-script to the world

Studs Terkel, Chicago native and famous oral historian passed away on October 31 of last year. Four days later his book “P.S. Further Thoughts From a Lifetime of Listening,” was published. Author of sixteen other books and a disc jockey for 45 years, Terkel made a living out of listening to people tell their stories, and telling those stories to the world.

It is hard to know where to start when reading Terkel’s large body of work. Although “P.S.” is his last book, it is a good first read for those new to Terkel.

The book is a compilation of previously published essays and works that Terkel claims in his preface were, “scattered, torn sheets of wrinkled paper under the desk, behind the bookcases, beneath the couch, tossed in boxes, everywhere.”

Because of the “scattered” nature of this book’s creation, it has an eclectic nature that reflects Terkel and his interests well. One of the essays “Dreamland,” is autobiographical. Terkel writes about his youth and his brother’s mishaps with girls he brought home from Dreamland, a dance hall where black jazz bands played. This essay gives the reader a good picture of Terkel’s boyhood in the 1920’s, and reminds one that life isn’t pristine in any decade.

The greatest essay in the book is Terkel’s interview with author James Baldwin. In the essay the reader can see how skilled Terkel was as an interviewer by the questions he asked Baldwin.

The interview took place in 1961, and Baldwin has just published his book “Nobody Knows My Name.” In the interview, Baldwin reflects on the pain he suffered as an African American in the United States by not having an identity.

He said this identity must be discovered by both blacks and whites, and commented that, “the American Negro is the key figure in this country. And if we don’t face him, we will never face anything.”

This interview is intriguing because it is written at the heart of the civil rights movement, and it is on a subject that was important to Terkel, who also wrote an excellent book called “Race” where he interviewed white and black Americans about their thoughts, feelings, and experiences with race.

When one reads the Baldwin interview, and also the book “Race,” it is easy to initially feel as though the problems of race are solved, until the reader sees him or herself reflected in one of the interviews. And that is the point, by talking to everyday people, Terkel gives Americans a glimpse into their own hearts, and holds up a mirror to their inner personalities.

Terkel, who described himself as an agnostic in an interview on National Public Radio, came to different conclusions than the average evangelical Christian. However, despite his differences in worldview, Terkel has given America, and the world, a piece of its story through his interviews. Any reader desiring to better understand race and the American people should give Terkel’s books a try. They are worth a listen.

chicago's own: andrew bird

4 out of 5 stars

Not often do songwriters use words like facsimile, tenuousness, and nomenclature, unless you are Andrew Bird. But don’t let the academic vocabulary turn you off to Andrew Bird’s new album, Noble Beast. Bird, a native of Chicago and graduate of Northwestern University released his 5th studio album on January 20th. Noble Beast reached the iTunes Top Ten albums over the weekend, proving this album a great, if not popular purchase.

Bird, a classically trained violinist, is known for mixing many different styles of sound into his albums, making it hard to classify him into a specific genre. He uses folk, pop, jazz, and classical elements along with his trademark whistling, a skill he uses more extensively in his earlier albums Andrew Bird & The Mysterious Production of Eggs and Armchair Apocrypha.

Bird’s high brow vocabulary and eclectic musical style make some critics believe his music is too inaccessible, but that is part of the beauty of his music. The rhymes Bird chooses are poetically compelling, not necessarily because of their meaning, but because of their musical quality. Axis, waxes, and taxes or three, elasticity, and astronomy become lovely coupled with Bird’s haunting melodies. Enjoy the lyrics simply for their sound if their meaning escapes you.

This album requires more than a casual listen. To really enjoy this album it has to be given a chance to be more than background music so the listener can understand its subtleties.

For example, the song Not a Robot, But a Ghost has three distinctive movements that make it sound like three different songs during the first listen. But a closer listen reveals the cohesion of the piece, and the fact that lyrics are the same and repeated though the music changes.

The whole album flows well together, and just gets better with each play.

Bird is a local sensation, and although he tours around the world, he is particularly favored in Chicago. His tour for Noble Beast comes to Chicago in April at the Civic Opera House. Originally scheduled for one show on April 10th, tickets are now on sale for a second show on April 9th after tickets sold out in the first 15 minutes for the 10th.

Bird performs solo and layers his music by recording melodies and rhythms he plays or whistles to create a fuller sound. It is great experience to hear his music come together piece by piece live. Bird was asked about his live performances in an interview on National Public Radio.

"Every night," he says, "I am rewriting all my songs for the audience."

If you want a chance to hear Andrew Bird reinvent himself live, check and see if tickets are still on sale for the April 9th show. If not, give the Noble Beast a chance. Its well worth the time spent to get to know Andrew Bird and his peculiar vocabulary.

adventures in journalism

If anyone has been reading this blog lately, they have probably been reading the same post over and over or have noticed that nothing new has been posted for a long time. It's been a dead blog for the past month.

Time for excuses. I have been writing reviews for my school paper, and generally school puts a damper on my artistic endeavors... hence, the state of neglect.

I have decided to post my reviews and other articles I write on this blog, along with my more traditional posts.

I estimate that 20 or so people read my school paper including those who write for it, so maybe I could bump the readership up to 25 by posting on here.

I hope you enjoy them.